Valkyrie – 2008
Of all the Nazi centred and holocaust themed movies featured this year, Valkyrie is the first to be a straight-up thriller, and succeeds in draining every ounce of tension that could be wrung from its story.
Stellar ensemble casts seem to be a staple of 2008 films, from the Dark Knight, to Tropic Thunder to a slew of Oscar contenders. Director Bryan Singer latest film boasts one of the best supporting casts of this or any other year but in addition, lacks what the others thrive upon, a fantastic lead. That is by no means to say that mega-star Tom Cruise is bad in his role, or even calls attention to himself as a prominent actor, just that he simply seems flat when contrasted with his co-stars.
Valkyrie recalls the July 20th (and final) assassination plot of Adolf Hitler at his remote bunker known as the Wolf’s Lair. Not only is the story itself an interesting one, but the way it unfolds on screen will leave you gnawing your knuckles to the bone. While obvious liberties were taken to make the film accessible to a wider audience, the events are never glossed over or overtly compromised. The result as a whole is simply engrossing and even with the conclusion known you pray that the plan will succeed. Simply put, it is one of the year’s very best thrillers.
All eyes have been on Singer’s heavily scrutinized decision to allow all the actors to speak in their native tongues, and accents. The reasoning being that if they were not to speak German, then they would not be speaking accented English, and thusly should not attempt any other trickery. The best solution would have obviously been to cast German actors, and have the movie subtitled, which of course would have meant a box office flop. The result is still effective, and with the story itself as interesting as it is, you’re sure not to even notice.
Following a horrible injury after an airplane attack in
The conspiracy unfolds at a brisk but not breakneck pace, with plenty of time for audiences to mull over the ploy and admire Singer’s fantastic camera work. Visually, Valkyrie is one of the year’s best, with authentic costumes, sets and vivid but gritty direction. Valkyrie treds a delicate line and succeeds, by both humanizing its heroes and
© 2009 Simon Brookfield